But now with technology I could sit down and do a bunch of character drawings and scan them into a computer, and the computer using my exact style could bring it into life, where it would have been edited by various human beings before.
When I wrote for TV, I was always thinking in terms of character and story. After fifteen years, it became hard-wired in me.
The psychoanalysis of neurotics has taught us to recognize the intimate connection between wetting the bed and the character trait of ambition.
Only God Himself fully appreciates the influence of a Christian mother in the molding of character in her children.
When an actor comes to me and wants to discuss his character, I say, 'It's in the script.' If he says, 'But what's my motivation?, ' I say, 'Your salary.'
Sometimes when you do a part, the wall between you and the characters can be very porous. You can sort of move in and out of your character's persona and being. And that just couldn't happen on this one because of working with him.
I often feel, and ever more deeply I realize, that fate and character are the same conception.
We have that illusion that we are 'deciding' what to make a character do, in order to 'convey our message' or something like that. But, at least in my experience, you are often more like a river-rafting guide who's been paid a bonus to purposely steer your clients into the roughest possible water.
The idea of exploring character relations and their development over a decade has to be appealing for any actor who cherishes his craft.
My influences were Peter Sellers and the great British character actors.
I think I enjoy playing human beings no matter the substance of their character.
Show class, have pride, and display character. If you do, winning takes care of itself.
I am writing about people who are alive in the city of New York during mid-20th-century America. And these people are like a character in a play or they are figures in a short story or a novel.
The four cornerstones of character on which the structure of this nation was built are: Initiative, Imagination, Individuality and Independence.
I grew up watching 'Magnum, P.I.' and shows like that, where you could develop a character over eight seasons, with stories along the way.
I just let the character speak to me and things appear.
George has only got to ring me. His imagination is so wonderful, I'd do any character he might create.
You want to go into scenes thinking not that you're the good guy or the bad guy, but that you've got a job to do. And I'm not talking about as an actor; I'm talking about as the character.
To be in theater you have to be a kind of psychologist, for you're always trying to understand character and motives.
For the third season, we do a sit around on one episode where we were in character and then we commented on one episode just being ourselves, so - not really. I was comfortable, though. I wasn't nervous.
I don't think I'm capable of giving a character every possible victory, no matter how much I love them, without feeling as if their ending isn't genuine to their actual trials.
The drug dealers, they sympathize with me. They see me as some sort of pathetic character.
It is ironic you could make an animated film about a dog that's a universal character, but God forbid it be a human being who is not a man.
Strength of character means the ability to overcome resentment against others, to hide hurt feelings, and to forgive quickly.
You can construct the character of a man and his age not only from what he does and says, but from what he fails to say and do.
I think actors are getting so much more power these days, but I'm not. I stay very much away from the decisions, the way in which things are orchestrated, what's been changed. I just try to stay completely in the role as the actor and as the character.
Nearly all men can stand adversity, but if you want to test a man's character, give him power.
The Amateur Marriage grew out of the reflection that of all the opportunities to show differences in character, surely an unhappy marriage must be the richest.
Failure to take note of the fact that the character of twentieth-century humanity differs from that of humanity in the fifteenth century, let alone before and at the time of the Mystery of Golgotha, is to sleep through the process of world evolution.
To me, the psychology behind the character is critical. So I work very hard to get into the mind of the man that I'm going to be playing, because number one, I want to understand why he's doing what he's doing. It's essential, it's absolutely essential.
It's a music video but she was real specific on the character that Mary J. Blige was playing, and that I was playing in this video and I told her whenever you get to jump to the big screen I'd love to come with you and she honored that.
You can't afford for there to be gaps in your pool of knowledge when it comes to a character; otherwise, what ends up onscreen is generalized and unspecific.
To me, casting is all about finding a character within the actor off the screen as much as on the screen.
'The Hunger Games' for me is I love the books so much and the character and the story were incredible. That's kind of the game plan is just do really interesting stories with interesting characters.
By knowing your character so well you can't go wrong. All of us kind of fell into that.
I was born Joseph Lane, but when I applied to the actors union, they said they already had a Joe Lane on the books and I'd have to change my last or first name. I had played the character of Nathan Detroit, whom I liked very much, in 'Guys and Dolls,' so I took the name Nathan.