Zitat des Tages über Blah:
There's so much going on in the world. There's so much information being thrown at us - so many things are being sold to us, and we're being told how we should appear and how to be more successful, blah, blah, blah. How does that manifest itself? In the pressures, the stress, this need to escape.
We've made elevator music of Jesus Christ. We've made Him the most boring, bland, blah person; and He was the most revolutionary man.
If you're working out and taking care of your body, you don't really want the greasy food that makes you feel tired or blah. You actually crave the good stuff!
I wouldn't mind being in an American film for a laugh, but I certainly don't want to be in Thingy Blah Blah 3, if you know what I mean.
I can't keep secrets about myself. I can keep secrets about other people, but if it's about myself, I'm like, 'blah blah blah blah.'
I don't want to be the guy who goes, 'Oh yeah, blah blah blah... everyone freaking well knows me.' Because that's not the case. Once in a while, someone will remember some silly thing I did and then they feel good. And they go, 'Oh, hey, Michael Bolton, I celebrate your whole catalog.' And I'm like, 'Great, great, I totally get it.'
I want to figure out what kind of artist I want to be, because with the 'American Idol' process, it just works really fast. The night of the finale, they said, 'OK, here are all the label people that you're gonna work with, this is the album you're gonna make and blah, blah, blah.' So it was a pretty fast process, but it's been cool.
I am more of a New Yorker than ever and just actually, sometimes I fantasize about living somewhere else, where it's maybe not quite so crowded or stressful, blah, blah, blah and after September 11th, I guess I could just not imagine living anywhere else.
I played with different words like 'home run,' 'megahit,' and they just all sounded kind of 'blah.' So I put in 'unicorn' because they are - these are very rare companies in the sense that there are thousands of startups in tech every year, and only a handful will wind up becoming a unicorn company. They're really rare.
Editorial pages all say, 'Well, the other guy has a point, too. It remains to be seen how this will come out. We certainly hope it comes out fine; blah, blah.' Cartoonists don't go that way. Our job is to stick out our tongues, to show a big raspberry to whatever pompous jerk happens to be mouthing off.
We heard later through the grapevine that we were being compared to the Furious 5, and because of that we were getting feedback that they were saying that we werent all that, that we were copying them... blah blah blah.
Some people just use beautiful things to just shop or to have a tribal feeling - 'Oh, blah, blah, blah, I'm wearing Hermes; blah, blah, blah, I'm wearing Saint Laurent; blah-blah blah' - because it's like a need, a tribe, recognition: 'Ahh, my Rolex.' But I run away from anything which is too recognizable - it's my nature.
Speaking English is like tongue-twist for me. I can speak each word perfect, but then you have to string them together like, 'Blah, blah, blah.' That's when I get crazy.
I just don't think I'm that interesting. I don't think what I have to say is that interesting. To hear me go blah, blah, blah, blah, blah. I mean, who... cares?
I got my influences from '70s bands - Zeppelin, Pink Floyd, blah blah blah. When I was growing up, we had all these crazy bands on the Top 40. Today, if Pink Floyd released 'Money,' it wouldn't even get played.
There's a lot of pressure on Broadway. There's this feeling that the show has to be a commercial success and the producers have to make their money back and Tonys and blah, blah, blah, blah, blah.
If you were to find all the people I've worked with and ask them what they think of me, they're all just going to say, 'Oh, wonderful', and it'll just be a lot of blah.
I went to the Grand Canyon with my family when I was about 8 years old, and I had a very blah experience. I think the scale of it is too huge - you don't appreciate it.
I've often heard people say that managing creative people is the hardest thing in the world. 'They're never happy, they drive up the cost of things, blah blah blah.' I just manage people the way I always wanted to be managed. That is, to be creatively challenged, but never to be told what to do.
