The parents say, 'Can you talk to my daughter and say that it's OK? That she can have muscles?' They'll say, 'I show her pictures of you so they can know she's good at what she does but still looks like a girl. She wears dresses.' It releases people to be whoever they want to be in the sport.
I don't see myself as a moviemaker only, you know? When I can do a picture, I do. But I don't work like a business, in pictures. I am not obliged to make one picture after the other in order to live.
I never expected that. I didn't aim for that. All I wanted was to get some nice pictures of trains at night.
I like to take pictures of my Starbucks cups because, while I don't think my name is that difficult, apparently it is!
A picture is worth a thousand words. An interface is worth a thousand pictures.
That's the thing about pictures: they seduce you.
I go on the Internet and look at old pictures of myself, because it is the best reminder of how far I have come and where I do not want to be.
The combination of pictures and words together can be really effective, and I began to realise in my career that unless I wrote my own words, then my message was diluted.
I never want to make a child worried or afraid, and I don't think I do. My pictures are born from the belief that children are far more capable and aware of social complexities than we give them credit for.
I love the feeling of creating pictures in someone's mind just by spelling out the right lyrical combination.
Novelty is always welcome but talking pictures are just a fad.
I've known Larry Clark since I was fourteen. I've always skateboarded in Manhattan. Larry got into the scene in the early '90s, taking pictures and skating with us.
Girls have always read comics. There's nothing intrinsically masculine about telling stories with pictures.
Gen Y is really quite distinct from Gen X; it's really self-involved and very narcissistic - their cameras are filled with pictures of themselves; Facebook, it's about me. It's a generation that's been pampered by their parents and their schools, given prizes for just taking part.
That is one reason so many of the Japanese pictures are not good, they cannot spare all the footage necessary for that bow, which is repeated over and over again.
If your pictures aren't good enough, you aren't close enough.
My memory of those places is better than my pictures. That's why I get much more satisfaction out of shooting thematic work that has to do with an idea that I'm searching for, or searching to express.
Time extracts various values from a painter's work. When these values are exhausted the pictures are forgotten, and the more a picture has to give, the greater it is.
I also hang the pictures low rather than high, and particularly in the case of the largest ones, often as close to the floor as is feasible, for that is the way they are painted.
I'm very lucky because people send me a lot of stuff and post cool articles and pictures on my wall, which does make life a lot easier for me. When we were at 60,000 or 100,000 'likes,' I was still having to source the content myself, and I was constantly trolling the Internet, whereas now things are sent to me, which does make it a lot easier.
I never thought I'd land in pictures with a face like mine.
From what I hear, everyone who does a Marvel movie gets a three-picture deal. I'll be Sam Jackson's stand-in. I'll do eight pictures for Marvel, and then I'll just do indies. Marvel can pay for my indie career.
I don't act, anyway. The stuff is all injected as we go along. My pictures are made without script or written directions of any kind.
I was digging in the backyard to get my own clay and making pottery. And then I started taking pictures and built my own darkroom. I would go out at six in the morning and just take pictures.
Most women's pictures are as boring and as formulaic as men's pictures. In place of a car chase or a battle scene, what you get is an extreme closeup of a woman breaking down.
Calvin was very clever. We did the pictures and made the commercial, and that really worked.
You get involved with a studio, and optional pictures and sequel options and that sort of thing are becoming part and parcel with the roles they're handing out.
Being able to do lead roles in pictures or onstage or whatever it is that you're doing in acting is obviously what you strive for because you want to better yourself as an actor and you want to better yourself as a person as well. But that does come with a lot of responsibility and a great deal of weight.
I've been drawing authors and politicians for newspapers for many years. I try to read up on the person; in the case of authors, read one of their books. I watch interviews via YouTube and collect pictures via the Internet.
It's so hard to raise money for independent films and the fact of the matter is that the bigger my star or whatever is, as a result of doing bigger pictures, the easier it is for me to get money for my own projects.
There's some pictures of me playing hollow bodies, but I never last long. I always come back to the acoustic.
I love filmmaking, and I love the process. And I would rather do nothing else. It's a privilege to be able to paint such big pictures, so to speak.
I don't make deals, I make pictures.
It's a little weird exchanging pictures for money. You know what I mean. It makes me a little uncomfortable.
I dress like a boy most of the time because I like what's comfortable, so sometimes when I have to wear dresses and makeup, it's kind of comedic. I take lots of pictures on my cell phone: 'Look, I'm dressed like a girl! Surprise!'
I'm really looking forward to playing in Copenhagen again. Last time I stayed as long as I could, took pictures, signed autographs, and hung out until they through me out of the place!
