I went to Rikers one time to do 'Third Watch,' and I remember thinking, 'Wow, this is a scary place.' We were using a section of the prison where half of it was still populated by inmates.
I'm blessed, and... all the time, I sit and think, 'Wow.'
You know it's easy to say you shouldn't do something and then something happens and you say, 'Wow, I wish I would have done something.'
All these Lil' rappers, I'm just kind of getting real irritated by it. I said, 'You know what? Drop the Lil'. Forget it. I'm Bow Wow.
I listen to a lot of songs, and they aren't talking about anything. I don't connect with them. I'll listen to something like Musiq Soulchild's 'Just Friends,' and I'm like, 'Wow, I really feel what he's talking about.' That's how I want people to feel about my music.
This is what I believe is most important: getting good books into the hands of kids - books that will make them want to say, 'Wow, that was great. Give me another one to read.'
I did, like, a couple of sexier videos, because all of a sudden I went, 'Wow, I have a body. I have this side of me that I haven't shown yet.' And I started kind of playing around with that side of things.
I went home one night and told my dad that an older kid was picking on me. My Dad, a Korean War vet and a Chicago cop for 30 years, told me, 'You better pick up a brick and hit him in the head.' That's when I thought, 'Wow, I'm going to have to start dealing with things in a different way.'
There is no number or level of success that would make me think, 'Wow, I didn't think that was possible.'
I wanted to be a musician. I wanted to be a superstar. I wanted to be on stage. I wanted to perform. I wanted to be in movies. But as you grow up, those dreams kind of fade away, and you're hit with reality, and you're like, 'Oh, not everyone can be Lil' Bow Wow?' Fine.
Do people ever ask me to say 'Wow?' Never in interviews, but a few times on the street. I don't do it. I try to get away from them as quickly as possible and explain that I'm not a performing seal.
I remember a picture on the front page of the 'Sun' during the Brixton riots: a rasta guy with a petrol bomb, and a headline saying something like: 'The Future of Britain.' And I thought: 'Wow! Look at the power of that image,' and I wanted to get behind the camera to make these people three-dimensional.
Work hard. I got tenure a year early. Junior faculty members used to say to me: 'Wow, what's your secret?' I said: 'It's pretty simple. Call me any Friday night in my office at 10 o'clock, and I'll tell you.'
In the car on my way to the studio, I was listening to 'Where Are U Now' with Justin Bieber and Jack U, so I was like, 'Wow, this is such a banger.' I loved the thought of having a ballad at the beginning and then just a massive drop.
I started as a straight actor. I'd go onstage, and I'd think, 'Wow, this is the only thing I want to work really hard at. I will rehearse fifty times on a single scene; I don't care - I'll do it again.'
It's so inspiring to be around other people who have ideas you haven't thought of, and all of a sudden you're like, 'Wow! That's so amazing!' I definitely want everything I do to just get better and better.
Picasso was hugely innovative, and, wow, did he have facility, amazing ability, but I don't think he painted a masterpiece.
I remember seeing 'A Moon for the Misbegotten' with Colleen Dewhurst, and that made a really big impression on me, and I remember wanting to be like her and I still want to be like Colleen Dewhurst! My mom took me to a lot of theatre growing up, and I also remember seeing Pippin and being like, 'Wow!
I think I knew I was going to be a musician for the rest of my life kind of early. When I was in third grade, I was playing in a talent show, and my dad wrote a two- or three-minute boogie-woogie piece. I played it, everybody loved it, and I was like, 'Wow, this is great.'
Mum and dad would drive me to the ACT Academy of Sport gym at 5 A.M., sit in the car and read a book, and then drive me to school. I appreciated it when I was younger, but I didn't really understand how much they were putting into it. Now I look at budgets of $70,000 to compete, and I think, 'Wow, they've put so much into this.'
It's surreal working with people you admire. I don't think it ever goes away, no matter how human people are; there's always that moment of 'Oh wow, that's still George Clooney!' But I find that the most talented people tend to be the nicest.
Bottom line: If you can't spare some time to give your employees the chance to wow you, you'll never get the best from them.
There are people who you see on screen and think, 'Wow, that's a slim person,' and in the flesh they look nearly dead.
I never find myself even catching lyrics until something in the sound has taken me captive. Thinking about anything else is just the pleasurable byproduct of wow.
I think about the automobile, I think about like, when I was a kid, you know, the invention of the answering machine, which I was like, 'Wow.' Or call waiting, which was, like, very big. It was a very big thing. Call waiting was a very big thing. And these incremental innovations happen constantly.
I think the rigors of a TV schedule are brutal and 'Six Feet Under' wasn't a network schedule. We did 13 shows, we didn't do 22. I don't know how people do that. I really don't. I mean the shows are shorter, but wow, it's quite a discipline.
I travel all over the world, usually 10 months out of the year. I stay at a lot of hotels, and the ones I like best are clean and not complicated. You go to bed and say, 'Wow, I feel comfortable.'
When I decided to become a Christian and decided to change my life and just totally quit screwing up, it was like, 'Wow, why didn't I do this before?' No hiding anything. I just felt so much better, not only about myself, but my future, my family. It was awesome, and it didn't take me long to realize that.
I go to South Dakota for ceremonies when I have the time. And when you learn what the Indian peoples have gone through to hold onto their culture and traditions... wow, it's an amazing story.
I sort of love reading the scripts and going, 'Oh wow, what a great idea. I never would have thought of that.'
I was in college that first semester, and I was like, 'Wow, this isn't who I am. This isn't what I want to do.' I was like, 'Oh God, I'm going to have to go out and make something of myself, and I have no clue what that is.'
If someone stands in front of one of my paintings and says, 'This is just a mess', the word 'just' is not so good, but 'mess' might be right. Why not a mess? If it makes you say, 'Wow, I've never seen anything like that', that's beautiful.
I certainly did work at an amusement park. In 1985. Wow - I'm in denial about the year. I was in college, and I had no skills.
When I was first starting out was also when I first started really paying attention to the Oscars and stuff like that. And I remember thinking, 'Wow, everything is great for women in Hollywood, because Meryl Streep, Glenn Close, Jessica Lange, Sally Field - they're all doing incredible work.'
I rekindled a friendship I hadn't had in a long time, and I was reminded of all the parts of me that had left. I was like, 'Wow, I love to paint and to write and to be outside.'
If you ask the typical two- or three-year-old or a teenager what a robot is, they will think about a humanoid that does my homework for me or walks the dog. When I go and talk to kids and pull out the Roomba, it's not this big 'Wow!' moment.