Santa Barbara is my hood. I mean, it's not much of a hood, but it is definitely like my hood. I claim Santa Barbara like I claim my family. I'm going to be married and buried there.
My very first role was the character of Barbara Winslow in the movie 'Marmaduke.' Up until that point, I had only done commercials. I had never done a guest star role or a series, and yet they cast me!
Through their play Barbara imagined their lives as adults. They used the dolls to reflect the adult world around them. They would sit and carry on conversations, making the dolls real people.
But I still read Shaw on a regular basis. What I love is the nakedness of the polemic and the irresistible good humour. For me, 'Major Barbara' is the greatest of all the plays in that it starts from the rational and proceeds to the ecstatic in a spectacular way, and leaves you very confused if you cling to Euclidean logic.
Sinatra had a lot of mood swings, but he was wonderful to my wife Barbara and to me. He made no bones about who he liked and who he loved, and he had this great charisma. When he walked into a room, it stopped. I've only seen that happen with Ronald Reagan.
In 1974/75, I spent a sabbatical year with Professor Vince Jaccarino and Dr. Alan King at the University of California in Santa Barbara to get a taste of nuclear magnetic resonance. We solved a specific problem on the bicritical point of MnF2, their home-base material. We traded experience, NMR, and critical phenomena.
Almost all first ladies have had tremendous power on personnel issues, whether the public realized it or not, whether it was Barbara Bush or Nancy Reagan or whoever.
I am very concerned about Barbara Streisand using the 'H' word - 'honkey.' That's what I am concerned about. I am worried about Barbara.
I can still remember my mum (a voracious, if not discriminating, reader - I have seen everything from the sublime to the ridiculous by her bed, from Ian Rankin and Elmore Leonard to Barbara Cartland and James Patterson) taking me to get my library card when I was four and not yet at school.
'Lonesome Dove' by Larry McMurtry and 'The Poisonwood Bible' by Barbara Kingsolver have stuck with me throughout my life, and I think that says a lot about an author's writing.
I just talked to a young lady, a freshman at Santa Barbara. She's taking a course, and Moneyball's one of the required readings. This young lady could dream of one day becoming a general manager.
I'd go to the farmers' market in Santa Barbara, and I'd put out my guitar case, and I'd test out these little ditty songs that I would write, and I would get a couple of avocados, a bag of pistachios, and, like, fifteen bucks. That was a lot of money for me.
When I was 11 years old, my parents wanted me to do something besides get in trouble. So they enrolled me in sailing classes at the Sea Shell Association in Santa Barbara, Calif. From the moment I climbed into that 8-foot dinghy in 1952, I knew instinctively what to do and sensed I had done it before.
I'm the youngest of five kids, and I wanted attention. And in Santa Barbara, there was lots of theater going on, so for that area, it was a little bit like playing Little League baseball. There were dance classes, theater classes, and I just loved it.
'Black Swan' was absolutely unbelievable. I had always dreamed of working with Darren Aronofsky, and Natalie Portman, Winona Ryder, Barbara Hershey, Mila Kunis and Vincent Cassel. The entire cast was really a dream cast, and it was amazing to work with these powerhouse women that I've just admired for so many years.
My mother had a radio show - a Barbara Walters type of gal and was very successful for about 20-some years on a radio station.
