H&M makes it easy for a guy to look great every single day and create a personal style. Their men's collection always gives me a choice of how I want to dress, whether it be sharp in a suit and polo-neck, or more relaxed in jeans and a tweed jacket.
I look at scripts, and sometimes I apply theory to them. For 'Antiviral,' for example, I was reading Laura Mulvey's 'Visual Pleasure and Narrative Cinema,' and it was all about the psychological process by which we fetishize the female image. It's all about scopophilia.
I worked with Dionne Warwick, did shows with Bette Midler, and then I did the 25th anniversary of the Rock and Roll Hall of Fame with Springsteen at the Garden. It was all important stuff because you want people to know you can work, you can sing, and you can still look good!
When I was 15, I didn't think I was the prettiest at all. But then something happened when I was 20-something - I thought, actually, I really like what I look like. Just because I don't look like everybody else doesn't mean that I can't be just as beautiful.
When I look back at my childhood on the Ayrshire coast, I recall a basic devotion to the idea that human nature and national character are as unknowable as the weather's rationale.
When I look back I can't believe how my parents managed, but the cliche is true. We didn't have money, but we were rich in so many other ways.
I think I look better in a suit than a loincloth. So that may define some of the parts I play.
If you look at your companies, and half of your staff are not female, and a decent percentage of them are not people of color, then you are part of the problem because you need people working for you and you need people in positions of leadership who can exercise their bias and who can exercise their perspective.
I thought, 'Nobody wants this book, and I'm an idiot for having worked on it so hard.' But to succeed in writing, you must be willing to look stupid for a long time. 'Pachinko' took so long because I got it wrong so many times.
I have learned from my mistakes... the business we are in is cutthroat. I have seen too many older blokes give their all for clubs, then be told they are not wanted. Even blokes still on contract are told to look elsewhere.
Volunteering is a great way to look outside your own problems. Giving back to makes you happier by both giving you a sense of purpose and helping to put your problems in perspective.
When women are starting out in their careers, they tend to be confident and look to aspire to leadership role and really want those positions. But then over time, as they advance, they become less confident and don't think they can attain those roles.
Sometimes I wake up and look in the mirror and am like, 'Whoa!' I don't know if I'm having more fun, but I'm having a lot of fun.
Evil is important for us to look at, in my opinion, only insofar as it makes us look at our own actions and make us wonder, 'Am I participating in some kind of human evil that I really should stop doing?'
I will make up a crush, you hear me?! I will look at a guy and say, for two months at least, 'I think you're cute.' And then I can be psycho. I will go in my head and make a whole life with him, he don't even understand why I'm mad at him. I'm like... 'cause you came in late last night!' And he's like, 'I don't even know you.'
Hebrew is my first language, so it's really the most personal and the most simple. When I write in Hebrew, I don't look for sophistication in music; it's just pure emotion that comes out.
It's harder in the States. I'm much more inclined to get offered things that are a lot straighter and heavier and dramatic. And they go by looks, too. If you look like a leading man, then that's what they will consider you for.
It makes a huge difference in how you feel, the way your costume holds you. When you look at yourself in the mirror, it makes you feel a certain way. Actors like to talk a lot about working from the inside out, but there's a lot to be said also about working from the outside in. It can be extremely helpful.
I can't even look at daily comic strips. And I hate sitcoms because they don't seem like real people to me: they're props that often say horrible things to each other, which I don't find funny. I have to feel like they're real people.
We will not have humanoid androids. It's interesting: when you start trying to make robots look more human, you end up making them look more grotesque. It takes very little to go from super-attractive robot to hideous robot.
Look first at management. That's the key to a company.
I have a nice smile, pretty lips, and big round cheeks. They help me look like a teenager.
That New York energy, when you've got the benefit of great weather, it really is terrific. You look up at that skyline, and the Empire State Building is literally in your eyesight - there's nothing like that.
The eco-movement is growing as people all over catch on to the need to protect our precious planet, which makes the future look really bright - and makes me really happy.
I wanted to resist in 'The Look of Silence' making a film that ends with any kind of positive hope I feel in human rights documentaries dealing with human survivors.
I guess you can look at Fleetwood Mac as the 'Pirates Of The Caribbean' movies and my solo career as indie films.
As a storyteller, you have to have something to say. You have to look at the world, think about it in relationship to yourself, and say, 'I think this is a pattern,' or 'I think this is the way fatherhood works,' or 'I think this is the way first love feels.' The danger in that is, that's when you open yourself up to real critique.
I'm so computer illiterate, I barely know how to send an e-mail. I mean, I have a laptop and Gmail, but I don't really look at it much.
I've had various experiences where I've been called by Hollywood studios to look at a script or comment on various scientific ideas that they're trying to inject into a story.
I couldn't pick up a sword and go fight anyone, let me put it that way. It's choreography and it's acting. The best sword fights you see look amazing, but it's the acting that sells it more than anything.
Ultimately, if you can say that I'm a bad owner and we're winning championships, I can live with that. But if we're not making the playoffs and we're spending and losing money, then I have to look in the mirror and say maybe I'm not taking the necessary steps to doing what it takes to run an organization.
I have really big features, so a little makeup goes a long way. I would hate to look like a clown.
As I look back at the span of the Cold War in those early days, in the '50s, for example, there was a great deal of Soviet propaganda here in the United States, but it was clumsy, and it was anchored to a lot of ideological support in certain circles in America itself.
As the first Hispanic female governor in history, little girls often come up to me in the grocery store or the mall. They look and point, and when they get the courage, they ask 'Are you Susana?' and they run up and give me a hug.
I had built my body to look like a boxer, then I lost it completely for 'Tanu Weds Manu Returns.' It was really tough gaining weight, building muscles, and then losing it completely for another film.
As the president of Afghanistan I look at the suffering of our people as a whole.
