Anna Paquin is marvelous, and she brings so much experience to the table.
At times I've got a really big ego. But I'll tell you the best thing about me. I'm some guy's dad; I'm some little gal's dad. When I die, if they say I was Annie's husband and Zachary John and Anna Kate's father, boy, that's enough for me to be remembered by. That's more than enough.
Who will remember Anna Wintour in the history of fashion? No one.
An author entices the readers with their words, and it is painful for them to even lose a sentence. But films and books are two different mediums and should be dealt differently. What works in a book might not work for a film. When I saw 'Anna Karenina' on screen, I didn't like it at all, whereas 'The Godfather' was legendary.
In productions such as 'Anna Bolena' and 'Rigoletto,' the costumes are tailored, and they're tight. In 'Moby,' it's like you're wearing pajamas, and you have more freedom. It's very comfortable on stage.
'Anna Karenina.' I read it in college. I was so engrossed that I couldn't stop reading it and neglected all my other studies. I would go to the library even on nice warm weekends and just lock myself up. I think that was the first time that I felt transformed by a book.
Before Anna, I'd had a few relationships and I'm glad I've been around a bit. I know where it's gone wrong or know who are the wrong people for me and who I might be wrong for.
People have quite a simple idea about 'Anna Karenina.' They feel that the novel is entirely about a young married woman who falls in love with a cavalry officer and leaves her husband after much agony, and pays the price for that.
I've made some films that were very much image based: 'Anna Karenina' and 'Pan,' for instance.
In Jenny Offill's remarkable first novel, 'Last Things,' 7-year-old Grace Davitt watches her mother, Anna, descend into madness and tries to make sense of the claustrophobic world that Anna has created for her.
I first thought about doing a project about Anna Wintour and 'Vogue' when I read an article in 'New York Magazine' about the Metropolitan Museum Costume Institute Ball, the annual fundraising gala that Anna oversees. It created such a fascinating portrait that I couldn't help but be compelled.
I play a character every day of my life, and I don't want to play a character as myself. They can judge me as an actress, not as a person. I'm not a spokeswoman for Anna.
Anna Deavere Smith's new one-woman show bills itself as being about health care, but the truth is that 'Let Me Down Easy' is mostly about the grimmer subject of death and dying.