Zitat des Tages über Anhänger / Trailers:
It's always strange being a kid on the set, because you're treated like an equal when you're working. But then when you break, the other actors go back to their trailers to take naps and drink beer, and I have to, like, go do school.
I'm a sucker for gag reels and teaser trailers for new seasons. One of the great parts of panels, especially on a show like 'Supernatural,' which can be so dark, it's fun to get up there and laugh and remember we're only telling a story. Seeing Eric Kripke and Ben Edlund up there being so funny always makes me laugh.
I'm a trailer junkie. I love watching movie trailers as soon as they go up.
'Free Agents' was an awesome experience. I never play the glam girl in anything, so that was a new experience. I would walk into one of my trailers and it would be like Spanx, a spray-tan gun, and chicken cutlets. I would have hair extensions. It was hilarious. Every day felt like I was turning into an awesome drag queen.
I couldn't care less about actors' trailers and food on sets and stuff like that - I just want to act.
I don't watch movie trailers. I just go to the movie, and I don't know anything about it, because that's the only way I appreciate the movie fully.
We've all been around love enough to know how lucky we are. I've never seen anybody have a cross word on the set, and I'm there a lot. All the women just got brand-new trailers, so they're happy.
If people are worried about the size of their trailers, I kind of say their priorities are off.
They had some really cool rigged cars and things that were different that they would tow behind the camera car that were actually on these trailers that manipulated side to side and stuff like they were getting hit, and actually put the actor right in the middle of the chase.
By year three, you get nicer, bigger trailers.
We had a tiny budget for 'The Greatest,' which was the opposite of 'Wall Street.' We just kind of went in and did it. You've got four or five takes and then you've got to move on. We didn't even have trailers to stay in or anything.
When I did that '3 Days of Normal' one, we had no budget, and we were all staying in a house in New Hampshire. There's no trailers, and it's just a family environment. There's not much of a crew; you just do what you need to do.
I have never made money selling records. I have never really made money touring, either, or with merchandise, surprisingly. But I do make money by just having my songs in the background of television shows or in commercials or movie trailers. That's been really good.
On a big film, there's almost no way you can meet everyone. On an indie, there are 30 people and no trailers to duck into.
I always get everyone prepared so there aren't so many arguments on set. I have a policy that the first thing I do in the morning is go over to the trailers and discuss exactly what we're shooting that day. It's time-consuming, but it reduces the chances of 'misunderstandings' on set.
Think about trailers you see in theaters. If you're seeing a Warner Bros film, the studio might have three of the five trailers. So having a hit helps you create the next hit.
I've worked on films where the budgets are almost limitless and you're in trailers that are bigger than a hotel room. You're taken care of and the food is amazing, the quality of the job is amazing and then you work on smaller things but it never dictates my happiness or my willingness to go to work.
Back in the days, we had to work with a shoestring budget. We had a movie screen, and we'd show movie trailers on them, and then we'd rip through it and started playing. Now we have a little money to play with to do a cool stage set.
Working in front of the camera keeps me alive. I couldn't care less about actors' trailers and food on sets and stuff like that - I just want to act.
I think I had the most fun making a movie with 'Dedication,' just because you knew that it was a passion project for everyone involved. We had X amount of days to shoot New York in the cold. No trailers. Just sort of kind of doing it guerilla style in a way.
