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We all do films believing in them completely, but sometimes, the audiences like what we like, and other times, they don't.
But reason has no power against feeling, and feeling older than history is no light matter.
In 'Over the Hedge,' I played a bear, and I spent all this time listening to the sounds they make when they fight and mate, when they're angry or happy.
Plus, I very much like the feeling of height, and buildings have even more of a feeling of height than rock faces.
Just me onstage with a mike having an intimate relationship with the audience. I don't get nervous for that. I just get excited.
Most of the time, we keep looking outside and feeling sad about what others have. Those are mere excuses.
The game is if the orchestra can hear each other, they play better. If they play better and there's a tangible feeling between the orchestra and the audience, if they feel each other, the audience responds and the orchestra feels it.
I have seen the times when the grassroots has moved the Congress. We listen way more often to our constituents than the lobbyists. And the grassroots are going to have to do it.
Having my son, I mean, I feel already that it makes me a better actress. Just the feeling and the love that expands in my being is more than I ever thought possible.
