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Actors rarely stay in touch with directors after they've filmed together. We go back to real life.
Most consumers don't have a good metric for deciding on whether the dictionary they want to use is a good one... so they flip the book over, then go to the back, and it says, 'Over 250,000 entries.' And they go, 'Great, this dictionary must be awesome!'
As a film director and as film actors, you get used to a certain rhythm that's slow. But with TV, it's hurry, hurry, hurry, hurry, hurry. It's a different pace.
Many plays - certainly mine - are like blank checks. The actors and directors put their own signatures on them.
I've moved into directing as well as acting, and it has taught me never to take casting personally.
I don't want to say, 'This is where Im going to be in five years and Im going to get there no matter what.' I want to leave it open. I'm not a desperate actress dying to star in a B movie in a bikini.
I still think that movies are amazing; I respect actors and directors.
Whoever I can go out every week and motivate to do better and to try to go after their dreams, I'm up for that.
If one story becomes too hot, then you can't forget it. As an actor, you want to remain fluid.
