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We in New York were very poor in the depths of the Depression - but I must say, that was the best time of my life.
We all remember where we were and we all remember what we were doing. I had a brother in New York, an uncle, lots of friends in New York. It made me angry, it made me sad; what could I do.
It was the first time she had visited me here in upstate New York. It was the last time I saw her.
I went to the London Academy Of Music and Dramatic Art and returned to New York where I started my career.
If I had to think where I could live if not Moscow, London would be my first choice and second would be New York.
It was memorable the first time 'The New Yorker' bought a cartoon from me. I had been sending them batches for years every week, and they didn't respond to them.
I felt I had to share Idaho with my friend from New York because he'd shared New York with me, so I was going to share the beauty of nature with a man who went to museums and clubs late at night. But there was nothing to do where I lived at night.
When I was in New York, I was making a living. We had a summer house and a car that I could put in a garage. That's something for a stage actor.
That was more or less coincidental in the sense that my parents wanted me to come back to New York because that's the center of musical activity still to this day, more or less, and so I auditioned for the Metropolitan Opera.
