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I like L.A. because of the light. The light makes me feel so good. It's really beautiful. And there's something about L.A. being so spread out that gives you a feeling of freedom. Light and freedom.
It's like you take these great actors and put them in an aquarium of life and just watch them swim. That's what makes editing tough because you get all these beautiful, unplanned moments.
In a sense it's a lot crazier when you're on the road and it's a lot less stable, but it's actually really healthy for me because it keeps me from isolating, which I tend to do a lot.
Bad directors will tell you they absolutely know how to do it, and how it has to happen; there's this insecurity that leads them to feeling like they have to control everything.
My mother told me that when I was born a wave of feeling came over her. She just knew that I was destined to be an actress.
What's really the driver of talent is not raw ability. It's not even just experience. It's what's called 'deliberate practice,' which is to say, if you do something a lot, you get really good at it.
To feel valued, to know, even if only once in a while, that you can do a job well is an absolutely marvelous feeling.
You never get over losses. I've never gotten over one loss I've had in my career. They always stick with me.
I found a lot of guys my age and older were absolutely terrified of me. Younger men weren't.