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I went to see 'The Piano' with Holly Hunter when I was in a Paula Vogel play, and I was just gone. I couldn't focus at all. It took that creative part of my brain with it so absolutely.
Place and displacement have always been central for me. A type of insecurity goes with that: you are always following the cues, like learning the dance steps when the dance is already under way.
I was a huge 'Deadwood' fan because I'm a huge David Milch fan, so I've always wanted to play something like Calamity Jane on 'Deadwood' and just be the biggest Western tomboy girl, ever.
Give me six hours to chop down a tree and I will spend the first four sharpening the axe.
My first job was washing dishes in the basement of a nursing home for $2.10 an hour, and I learned as much about the value of hard work there as I ever did later.
For me, if I'm just killing time, I play solitaire. I'm also guilty of playing Snood. I like games where I can shoot balls and match colors.
I wasn't a dancer learning to play Baby Houseman. I was Baby Houseman learning to play a dancer. I was someone who'd never done any Latin dance. I'd taken jazz classes and ballet growing up in New York, so I had dance in me, and I knew I loved it, but I'd never done a dance audition.
My years of ballet and jazz dance lessons didn't make me any more graceful - they just helped keep me from bumping into the furniture on stage.
Well, you know what? The same people that get driven crazy by hip hop are the same people that probably listen to the type of music that drives me crazy. Like, Journey covers.