Besitzen / Own Charakter / Character Denken / Think Eine lange / Along Entstehen / Emerge Frage / Question Gehen / Going Immer noch / Still Meiner Ansicht nach / I Think Melodie / Tune Musiker / Musicians Nur / Only Wählen / Choose Während / While Wer / Who Wille / Will
Personally, when things upset me, I get quiet and closed off. I have nothing to say, and a chill sets in while I think about what's going on.
I don't own an ounce of the work I've ever done on 'Batman,' and I still work on 'Batman.' I love the character, I think it's a lot of fun, and it's kind of fun to be in that ballpark every once in a while, where you're seeing a different crowd.
Well, I think on second units it's all about execution. Because you come in there, you don't have to worry so much about the studio and all the other actors and all that.
I think that people will always want music; I think that the form that they will get it in, or distributed to them from, and the price they pay for it is what's up in question.
On 'Swingtown,' I think that's when I was able to blend the character-slash-leading lady roles, and that's what I'm doing on 'Once Upon a Time' as well. She's a leading lady, but she's also this character.
When I think about a character, it does start with the shoes: What kind would she wear? How would she walk in them?
I think there are times when you walk onto a set you can potentially be either intimidated or distracted by what's going on around you.
I'll look at the script and I'll try to find as many books, movies, and pieces of music that I think are going to feed each scene or the character as a whole.
I think that quite often you can only find a choice between bad and worse. But I think it's worth making the effort, and I like to expose my characters to that sort of situation.
