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It's weird, because usually if you're British and you go to America you play baddies; but I play naughty people here and goodies in America.
I'm an artist. And usually when I tell people I'm an artist, they just look at me and say, 'Do you paint?' or 'What kind of medium do you work in?'
To play a good guy is nice because in a way, he is so open for answers.
People often ask where I get my inspiration from, and I always say I have no good answer because, well, inspiration comes from everywhere: people, places, memories.
People ask me about my limp. I say, 'You know, I don't know how bad it is, because I don't watch - I don't watch myself.' I don't look at it. I don't.
If you appear in the 'Atlantic' or 'Harper's' or the 'New Yorker,' by God, you must be a writer, because everybody says so.
I accrued anger from people's low opinion of me and my work, and for the work I might be capable of.
People don't want other people to get high, because if you get high, you might see the falsity of the fabric of the society we live in.
I used to think people above me might get jealous because I wanted to do what they did. But no, people are much nicer than that.
