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Doing drama is, in a sense, easier. In doing comedy, if you don't get that laugh, there's something wrong.
People who are seriously damaged by sudden fame and notoriety have, in my experience, very low esteem at the root of their being.
The environment in a writer's room, I've really come to feel, should be some form of democracy.
Maybe the Kindle was the Bowflex of bookishness: something expensive that, when you commit to it, forces you to do more of whatever it is you think you should be doing more of.
I always laugh a lot when I see the dramas that I end up doing. I see myself behaving very seriously and I'm like, 'What is this?'
With a play, you do it and it's gone. Films always date. Television drama always dates. Television comedy, for some reason, seems to go on.
On the PBS recording of 'The Light in the Piazza' backstage, you get to see me doing some sweet lunges down the hallway of the Vivian Beaumont.
Sometimes you do a film because the script is amazing, sometimes you do it because you get to work with amazing people, and sometimes you do a film because they pay you money.
I would like to explore comedy more. It's not something that I've done a lot of. Obviously, I'm very at home in drama. I like everything.