Ärger / Trouble Äußerst / Extremely Bäume / Trees Fräulein / Miss Gerade / Just Kann / May Mir / Me Natur / Nature Neu / New New York Nur / Only Über / About Welche / Which Wichtig / Important York
I just did a play in New York which has been my best experience that I've had for maybe ever. It was Paul Weitz's play called Privilege and I was in New York for three months.
I'm writing a movie about Mozart going to New York in the '60s. I've been reading so many novels.
Places like New York are just too intense, too much about money, too much about ambition; it's all too superficial for me.
We're entering a new world in which data may be more important than software.
One measure of twentieth-century time is the supersonic three and three-quarter hours it takes the Concorde to fly from New York to Paris, gate to gate. Other measures come with the waits on the expressways and the runways.
I can't drive, so I can only live in New York, which is fine with me.
In New York, everyone's really neurotic and talks about themselves all the time.
To write a story about New York that only deals with people in your age and socioeconomic bracket, that feels dishonest to me. So much of New York comes from everyone bumping into each other.
What did Sept. 11 do? It took me from 60-70 percent name recognition as mayor of New York to about 90 percent. Of course it had an impact. But it's not the only reason I was successful.
