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What's so kind of beautiful about the whole thing was that everything that made me not right for all of those hundreds of commercial auditions that I went on and no one ever wanted me for is what made me perfectly right for 'Real Women Have Curves'.
A reporter from 'The Times' wanted to arm-wrestle, and as I recall, he kept challenging me. So we went at it, and there was a pop. His arm broke. Very strange. He went into a kind of swoon.
When Mitt Romney talks about women, when he says he believes that we can do any job a man can do, I know from experience that he's speaking from the heart.
I'm not an especially male novelist, but I think men are better at writing about men, and the same is true for women. Reading Saul Bellow is a revelation, but he can't write women. There are exceptions, like Marilynne Robinson's 'Gilead,' but generally, I think it's true.
I find L.A. kind of romantic, actually. As a movie junkie, it's a city that was built by the movies. There's something really weird and surreal about it that I find energizing.
The fiction I'm most interested in has lines of reference to the real world.
I generally find an affinity with a lot of the people I play and I suppose if I didn't feel an affinity for them then they wouldn't be particularly good performances.
Liberty lies in the hearts of men and women; when it dies there, no constitution, no law, no court can save it.
It lies in the hearts of men and women; when it dies there, no constitution, no law, no court can save it. While it lies there, it needs no constitution, no law, no court to save it.