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I started working in New York City as an actor and did many plays. I did regional theater, smaller theaters, children's theater.
Jimi was always at The Scene when he was in New York and we played many times together. He was just everywhere - he went out and jammed everywhere he was.
It's very easy, when we're reading those articles on the 20th page of 'The New York Times,' to distance ourselves and say, 'It's someone else.'
When they released Sidewalks of New York, there were some shots with the towers they were going to take out, and Ed told them no. I don't think they can deny the towers were a part of New York.
How do people who live utterly alone survive? There are so many things that won't open. I've got a few dresses in New York, and I can somehow get them on, but I can't get them off.
I don't really have any plans in terms of what I want to do - movies, television, theater - but I'd love to do a play in New York.
One measure of twentieth-century time is the supersonic three and three-quarter hours it takes the Concorde to fly from New York to Paris, gate to gate. Other measures come with the waits on the expressways and the runways.
Often the art in New York is related to the buildings, to grandiose things.
Well over fifty years ago I was making radio loudspeakers and radio sets in Rochester, New York; pretty young and inexperienced; but we survived the depression.
