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I don't think you can discriminate against budgets, you know? I'm an actor, I guess, so I'm just trying to play as many characters as I can. If there's a character I think I can play, and they're going to let me do it, I'll do it whether it's $10 or $1 million or more.
I think the most appealing characters for the audience are the ones that you never know whether to root for them or whether to hate them. That's what keeps people drawn to their television sets.
I think by that time I knew where Chewie was going, and he left me to do what was called for, because the character had been well established. You know, it was like putting on a second skin by that time.
I don't know that 'NCIS: Los Angeles' is a complete reinvention, but I'm playing one of the guys in charge this time. Before I'd be cast as a young impressionable character. I think part of that is just being more mature.
I really was a fan of his and always have been - his writing especially, you know? I think people a lot of times overlook that part, because he kind of got into that party character so heavy.
I knew that I had it tough compared to children around me. But I felt like I needed it. I think I had the wisdom as a child to know that it would help me later on.
You know, that kind of coldness, you know. And I think, yeah, I think that definitely helped. The female characters on the show, you can see some of them wanting to know what makes him tick. And I guess that translates into some of the fans outside. You know?
I think if you work as an actress and are supposed as a character to be in love with some actor, then to some extent you do have to be in love with him.
I think all those actors from that generation, like Bogart - they were wonderful actors. They didn't act. They just came on and they did it, and the characters were wonderful.
