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People are like, 'What's Game of Thrones about?' I'm like, 'It's in the title.' For real, this is a game for the Iron Throne. No matter what character you are, you're sucked into that at some point.
When you're working with a smaller budget I suppose one of the things that has to be in your mind when you are writing is that you have to keep the characters down to a minimum.
When I don't know what to do with a character, that's when I say yes to it. When it's far away from the way I am, the way I feel or the way I think, that's when it's more attractive.
'Vogue' is the best of everything that fashion can offer, and I think we point the way. We are, you know, a glamorous girlfriend.
I don't know, I always get the question 'how do you feel after the game today?' and, of course, if you're winning you feel great and if you lose you don't feel good. I think that's a pretty obvious question.
With the clothes I design, I think about my friends, how I'd want them to dress, what I'd want them to wear.
No director directs 'Game of Thrones' without reading all the episodes and knowing what's going on. All the episodes are written in advance, so you can do that, which is an important point.
The more deeply connected you are with the people that you're working with, the better the work and the character, and then, I think, that really translates to life. It will help you in life to be more grounded and genuine.
The funny thing about writing is I think a lot of people assume that you're sitting in a garret with a quill pen for hour after hour.