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It was my first time in Kansas City. In about two or three days I had a gig at a place called The Monroe Inn.
In Kansas City, most of the time, if we'd have made it to the playoffs, we would have been happy. But our team wasn't that good.
With a lot of help from my high school teachers, I went to college and became a medical tech at a clinic outside Kansas City.
It's hard for me to judge my own films as an artist sometimes. But as an artist, I did feel a fulfillment working on them, you know?
I spent a majority of my life in Kansas City, so I am a Chiefs and Royals guy. I used to work for the Royals for like five years in the suites department and in the stadium club restaurant.
I was embarrassingly well-versed in Marvel lore, so it was pretty easy to slip into that world. But really, already, by the time I'd started writing superhero comics, my dream was really to be writing my own characters.
But one of the hardest things for me to do was to access anger. I could do it on stage. But when I did it on film it was hard for me. That probably has to do with the intimacy of film. And my own personal issues with expressing anger. So I had to learn how to do that.
It's very hard to describe your own style. And I'm young, so I'm still experimenting. But I think it's quite British and very much about individuality.
I don't say that I'm going to be like every other comic that's blue, or gratuitous use of language. I do try to have my own standards: I don't do everything the audience wants, and I do try to surprise them.