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As a child, I did watch some Hindi movies at home with Dad, but I didn't know who anyone was. I wasn't interested, honestly.
I kind of always think my work is unfilmable, and when I meet people who are interested in filming it, I'm always stunned.
People are always telling me that change is good. But all that means is that something you didn't want to happen has happened.
I don't know if it's a male thing, but I've always been interested in how people respond to the stresses and dangers of war, how they react under fire.
When I see my children, and when I see the people who value me, I know how lucky I am.
After Hollywood, you know if people are interested in you or in the fact that you've been in a movie. You know who your real friends are.
Making a film, it uses a certain... 'pretend-muscle,' I don't know what you want to call it. It exhausts something in me, I find. It has to be really something to get me interested.
You know, the people who do indie film and decide who gets those little budgets? They're mean, man. They're cold and very cool-oriented.
I had to learn to be more open with people and to know how to show that I was interested in them.
