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Before shooting, I prepare with the actors much more like it's a theater play than a movie. Apparently, that way of working is very unusual.
There are so many venues in which stars are exposed today, that we just know much more and the studios don't have the control over stars like they used to, in the 30s, 40s, and 50s.
Normally when I look at stuff, I try to look at the good things. When I watch video, I try to watch the good starts so I can see how my mechanics are in those.
I took a job in the U.S. because I wanted to work on products that would get into end users' hands. In Norway, most of the jobs are in server software, niche stuff.
There are a couple of projects that are sort of on the plate; I haven't closed any of them yet. I'm trying to figure out which one is going to be the best one for me.
I'm very much a believer that it's action that matters much more so than, you know, the flurry of political promises and statements and slogans that are used during political campaigns.
I'm not very good at picking stuff up off the radio. It takes me way too long to learn other people's music.
I've said things and meant them, but I'm obviously a very confused person who has no idea how they feel about things.
For me, the summer will be pure gray - mother-of-pearl gray, very pale gray. To me, this is the big statement for summer. Then we have light blue, light turquoise, lots of pink.
