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I think we're in a time when people are much more interested in a show than where you find it.
I think the most surprising thing about giving is it takes a while to find out what you're really interested in and what you really want to do.
They are no longer going to serve you well. You have to commit. I think the biggest word is commit. I hear women say to me all the time, and men - I want to, I want to.
No, I think that a person writes a poem because they have an inner urge of something that they want to express, and I think it's that inner urge that you want to express when you write a piece of music.
I think the best advice I give is to try not to write. Try not to overwrite, try not to make it sound too good. Just use your own voice. Use your own style of putting it down.
I think writers need windows on a view to remind them that a whole world is out there, not the minutiae with which they might be dealing on a close scale.
I'm one of those actors who likes to do it wrong nine ways before I come to the tenth way, which is the way I think it should be.
Inside of all the makeup and the character and makeup, it's you, and I think that's what the audience is really interested in... you, how you're going to cope with the situation, the obstacles, the troubles that the writer put in front of you.
I'm going to write a whole pilot and see if anyone's interested, and if not then I'll just live out the tortured life instead of showing it on TV.
