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When I go into the garden, I forget everything. It's uncomplicated in my world of gardening. It's trial and error, really. If something doesn't work, it comes out, and you start all over again.
You don't learn from a situation where you do something well. You enjoy it and you give yourself credit, but you don't really learn from that. You learn from trial and error, trial and error, all the time.
You can't do things for money. You just can't act them. There's gotta be something about the script that you really want to do. I wouldn't do a job if I didn't think I could do the best work I possibly could.
When you are not missing something, longing for something, you don't really think about it that much. It's like that girlfriend you don't want to have anymore. You don't think about her anymore. Or ex-husband. You just don't.
With this LP we were all very clear on the approach we wanted to take, which was to do something heavy, but also experiment with a lot of other things we really like.
When I made Blue Moon Swamp, there was a lot of trial and error; I was trying to find people who would be simpatico with my style, and with what I had in mind for the album.
I listen to a lot of songs, and they aren't talking about anything. I don't connect with them. I'll listen to something like Musiq Soulchild's 'Just Friends,' and I'm like, 'Wow, I really feel what he's talking about.' That's how I want people to feel about my music.
Unless you know a lot more about something than I do, I am not really that interested. I have too much information already.
What's really the driver of talent is not raw ability. It's not even just experience. It's what's called 'deliberate practice,' which is to say, if you do something a lot, you get really good at it.
