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Marimba is much more of a wood-type experience and there is no real possibility of getting a dry sound, and getting that contrast in the same way that you can in a vibraphone.
And you finally get to a consensus, where you get a sense of what really ought to be done, and then they give it to me and then I draw it. I mean draw it in the sense, the philosophical sense.
You need to come up with a reason to make a movie, separate from the commercial side.
It would be nice to have radio support, not that we've ever had that much trouble with it.
It wasn't so much that I was all alone on stage, but it was the realization of how much you need the response-you need the audience to tell you where to go.
Before I started to make films, I didn't give much thought to the way the characters were physically positioned in the story world.
What distinguishes Vilmos Zsigmond from other cinematographers is, of course, talent but, more, physical stamina. You just can't be great without it.
Dear Internet: You are very good at spreading rumors. Truth is more valuable and much harder to come by.
In Mallrats, you pretty much don't see him sell any weed, really. I don't consider him a big dealer.