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It was a turning point in the sense that as a scene, we can up with a lot of new ideas.
A person with a new idea is a crank until the idea succeeds.
I'm still trying to figure out what the right line is between myself and the people I play. Sometimes I go too far one way or too far the other.
Sometimes when people are attached to a project, they need persuading to stay attached, and then, in retrospect, they're not the right person.
Right now a lot of people are still choosing to go to Toronto instead of shooting in New York City, something I haven't done and something I hope I'll never have to do.
I'm such a loser; I don't really go out. None of my friends are really actors, so in that regard, I still have all the same friends and do all the same things.
What I've learnt is never to work with the person you are in a relationship with because sometimes you need a break.
The need to be right all the time is the biggest bar to new ideas.
Sometimes I miss out the morning's painting session and instead study my Japanese books in the open.