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The opportunities I've had to play really complex characters - which haven't been a lot, but some - you never get over them.
The likes of Sugar Ray Leonard, Roberto Duran, Tommy Hearns were true champions. There were some incredible fights between us, and I was happy to give them all an opportunity to fight me.
I've been listening to jazzmen, especially saxophonists, since the time of the early Count Basie records, which featured Lester Young. Pres was my first real influence, but the first horn I got was an alto, not a tenor.
I think what's most fun is playing someone who's sort of selfish and in a lot of ways unlikeable, but there's this really big heart underneath it that you get little glimpses of.
For someone who's had the level of success I've had, there's been very little critical review of my work, which is pretty fascinating.
The smallest flower is a thought, a life answering to some feature of the Great Whole, of whom they have a persistent intuition.
Find some fun way to get a little more oil on your hands or mud on your boots. Sometimes, that's what it takes to take down some of the really big problems.
Personally I had the opportunity to go on several ride alongs with the LA County Sheriff's Department with some amazing detectives, who were invaluable to me.
And if you had an, an opportunity to have a hot meal, you did. That was the cook. But you didn't stop and say, This is dinnertime and Oh wait it's five o'clock, it's time to eat for supper.
