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The great thing about vinyl is that if you wanted to get a decent-sounding cut, you could really only have 20 minutes max on each side.
I like to go to the subway and hear what people are thinking and feeling and what their concerns are. You learn so much that way. You really do.
You have people ask us how you get through all the stuff that Skynyrd's been through, and I think it's the music; it really is.
I do think that's so much a part of what being a director is - in working with actors - to really try and be sensitive to what each actor needs to get to where he wants to be.
It's such a tough business. And once people see you a certain way, it's really hard for them to change their minds about you.
Really, it's not harder to train for them because once baseball starts you play everyday almost.
I think women do have that fatal streak to them that's partly because it's been romanticized, the martyr complex - 'Look what you did to me!'
It's like there's some unwritten rule that if you're mates, you can say what you want to each other, and you don't really get that annoyed about it.
And you finally get to a consensus, where you get a sense of what really ought to be done, and then they give it to me and then I draw it. I mean draw it in the sense, the philosophical sense.