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The first record I spent five years writing and it was an amalgamation of all the things that happened in my life from the time I was fifteen to the time I was twenty.
I thought the best thing you were supposed to do was find somebody and try to sound like them.
My husband wrote the story for my first book, but then he didn't want to do that anymore. So if I was going to go on being an illustrator, I had to start writing the stories, too.
I always send new writers to 'Writer's Digest Books' line-up of how-to books. I read them all when I was starting out, and they were very helpful.
I have two sisters, so there is the three of us, and we're very close. We've been best friends since I pronounced it when I was ten and they were four and five.
One of my first thoughts I had when I started considering the mastectomy was, 'What am I going to look like?' And then, 'What will my husband think?'
I never know what I'm going to write next. If I'm still writing the book but I'm very near the end, and I begin to think of what I'd like to do next, then I'll know that what I'm writing is in hand. I'll think of an ending and it will be fine.
Sea Hunt was the first time anyone tackled a show that took place underwater. The stories were sort of exciting for kids, like cops and robbers underwater.
Marvin Bell always looked very closely at how lines could break, how you could put over one line into the second line. How you could stop the line two or three times within the line: You could make it stop.