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They didn't act like people and they didn't act like actors. It's hard to explain. They acted more like they knew they were celebrities and all. I mean they were good, but they were too good.
Bands like Kraftwerk and Tangerine Dream, who I respect, have a very robotic, dehumanised approach. They're almost an apology for machines. It's very German.
But I would like to think that it's the actor that makes the difference in these cases. Not the director, not the guy that wrote the book, not the guy that adapted it for the screen, but the actor.
Any art worthy of its name should address 'life', 'man', 'nature', 'death' and 'tragedy'.
What my work is, is my approach to it. It's the practice. And my work is about the effort that I make to get there. And I think if there's anything artistic, it's in that middle space.
Peace is not merely a distant goal that we seek, but a means by which we arrive at that goal.
Does not the very word 'creative' mean to build, to initiate, to give out, to act - rather than to be acted upon, to be subjective? Living photography is positive in its approach, it sings a song of life - not death.
Any fool can tell the truth, but it requires a man of some sense to know how to lie well.
I'm interested in anything about revolt, disorder, chaos, especially activity that appears to have no meaning. It seems to me to be the road toward freedom.
