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Any movie I've ever made, the minute you walk on the set they tell you who's the person to buy it from.
The way I work, typically, I do everything at the very last minute. Even if I was given two months, I'd do it in the last three days.
I grew up with the mindset that when you get home from work, you go to dinner and watch a movie. I don't want to be going to a club and taking off my panties.
Well, anytime I make a movie, I like to load it up with more things than you could ever catch on the first viewing.
That's the only way I can control my movie. If you shoot everything, then everything is liable to end up in the movie. If you have a vision, you don't have to cover every scene.
In print, people can do anything to you. Everything you do is picked apart. People love it; they're waiting for you to make a mistake.
Well, every movie is an experiment. And the only way you can grow at what you're doing is to take chances. You can't try to stick with what worked last time.
When you work with Sir Anthony there are days when he will do a lot of takes if he's really enjoying a scene.
Honestly, I don't know if I'd want to be an educator. I find teachers to have more responsibility, in a way, than being a parent. You're molding hundreds of minds every year.
