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You set out to tell a good story. You don't do it because there is a deep message involved, because the movie is almost always bad when you do that. Your job No. 1 is for it to be entertaining, and if it's inspiring, that is great, too.
I always date younger men. For some reason that's just the way it's gone, because younger guys have always asked me out and I accept.
The kind of people who always go on about whether a thing is in good taste invariably have very bad taste.
With movies, you are always in search is a good story, one that everyone will relate to and love. I love finding those stories and creating a visual world to tell the story.
There are only really a few stories to tell in the end, and betrayal and the failure of love is one of those good stories to tell.
I'll shout out to James L. Brooks. 'Terms of Endearment' always makes me cry. Also, 'Stepmom' always makes me cry. I guess, you know, mothers dying. It's a safe bet that I'm going to cry.
I didn't worry about it because I kind of felt I left a good message and memory with the people in terms of my work, and I always felt with a good record, I could always come back.
You have to tell a good story first. If it's a good story, people will be interested. It doesn't matter about the content.
Of course, I'm not allowed to talk about the script, but I can say it is a really good story.
