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Any of us directing at Pixar, whether it's our first time or not, feel a lot of pressure to not make a bad Pixar film.
Every time I step out on that field, I'm 100 percent. My teammates know that. They know what I'm out there dealing with. I know what I'm out there dealing with. But when it comes to my mindset, I'm 100 percent.
I figure if I have one false start every ten or 12 years that I've been running, I probably won't false start again during my career.
Evolution isn't just a take-it-or-leave-it story about where we came from. It's an epic at the centre of life itself. It tells us we are part of nature in every respect.
I'm from Jammu, and every time I go to there, I make it a point to stop by Delhi and meet up with my friends and, of course, eat the chaat here.
15 years later, it's all the TV stars with the film deals, whether it's the cast of Friends or That '70s Show now with Ashton and other people doing stuff.
I wrote my first book at eight, all of four pages. At 10, I did a 40-page story. At 12, I wrote two stage plays.
The point is to almost be child-minded, like you're discovering music for the first time, every time you play.
I can't talk about every single film I made. It's not my way to go back into the past and to look at my old pictures and to discuss them.
