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It seems that the fiction writer has a revolting attachment to the poor, for even when he writes about the rich, he is more concerned with what they lack than with what they have.
I wonder if it's in the nature of fiction writers to never quite see their own lives as 'real,' since we are always making stuff up!
It's true of so many fiction writers that I much prefer the essayistic work they did, whether it's David Foster Wallace's, or John Cheever's, or Nathaniel Hawthorne's.
Delaying and withholding tactics, red herrings, partial and doubtful outcomes are stock in trade for fiction writers, especially crime writers.
Many fiction writers eventually want to feel that their work forms a single, unified entity.
I've made a lot of stupid action films. But when we made The Matrix, we saw that people wanted more than that.
Every writer knows he is spurious; every fiction writer would rather be credible than authentic.
If you just take me as a fiction writer, then you're probably going to find me fairly limited.
Poetry was my dirty little secret when I was a fiction writer at Iowa, and then fiction became my dirty little secret when I started writing more poetry and working for 'Rookie'.