Ah Auch / Too Aussehen / Look Behalten / Keep Intelligent Ja / Yes Jene / Those Kennt / Know Mir / Me Muss / Must Sehen / See Selten / Rarely Vertrauen / Trust Wer / Who Wort / Word
People would say to me, 'Who do you want to be as an artist?' And I would just look at them because I didn't know.
It's so true: the fight is won or lost in the gym, and those words really stuck with me throughout my career.
What interests me about life most is people, and the why of the world. That's what theatre looks at: it examines life, and gives it a cohesiveness that life doesn't have.
The job of the writer is to look at where he is now and make some sort of emotional sense of it, not only for that moment but for years to come.
And you know, art as commerce, doesn't really make too much sense, they don't go together.
As a director/writer/producer, all you ever want is to work with actors who make you look better, who make the work you do seem as good as it can be and even better than it is.
I mean, we sit around and we go, you know, 'Torture doesn't work.' Well, it's been around for 5,000 years. Most stuff that doesn't work goes the way of the dodo pretty quick, like waterbeds and 8-tracks and things like that.
Anyone who tries to write a memoir needs to keep in mind that what's interesting to you isn't necessarily interesting to a reader.
I've always felt that work - learning from people who know more than I know - is what keeps you going.
