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I really want to bring ensemble playing back to the forefront - not just for me, but for everyone in jazz. When you have a group, a true co-op group, you can really heighten the possibilities of all the treasures of jazz.
Most of my fans, if you were to look on their iPods, you'd see every possible genre of music represented in some capacity.
With every year of playing, you want to relax one more muscle. Why? Because the more tense you are, the less you can hear.
We have a lot of freedom to express ourselves. When you see us playing on the field, I guess you can make that out. This batting unit, especially, is fearless. We want to go out there and achieve the best possible result.
If I had a talent, it was for looking askew at everything, possibly more than my contemporaries. But I had to really push myself to be a writer.
As a civilian not playing sport, to get that sense of real belonging and feeling how you are progressing through the day is what I loved and miss.
I'm really into fashion, but I don't really spend that much on clothes. I manage to find everything I want at a good price.
Playing a room, it's a real dictator-type situation - you can really move the crowd the way you want to. In a festival, there's a sea of people, and it's harder to lock in on any one group.
I liked playing in Chicago, and I gave them everything I had, but I knew in my heart I was a Red Wing.