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I really learned how to act on camera through 'Power Rangers' because I hadn't done a lot of film and TV.
When I see someone for the first time in a while, and they ask, 'How have you been?' or 'What have you been up to?', it's politeness but a bit of a conversation stopper.
I've been on the board of UCLA Film and TV School, and I went to UCLA. I realized that the same movie theater that was there when I went to school, 30 years later is the same movie theater in the same condition. There was an opportunity to refurbish an existing room, and I jumped at the opportunity.
There's been a growing dissatisfaction and distrust with the conventional publishing industry, in that you tend to have a lot of formerly reputable imprints now owned by big conglomerates.
Fear is a problem with film music and films; people want to be conventional, and there's more commercialism today. If you are not daring in your art, you're bankrupt.
I love the stage. It's terrifying in a way that film and television is not. When you're about to go out, and you're adrenaline just gets out of control, and that can be really daunting.
Movies are in a much longer production conversation before an actor is even involved. I always thought of actors as the last piece of the puzzle - so you're a tool.
I did have a life before the Animals, and I'm trying constantly to prove that I have a life after the Animals. People tend to forget that I was the frontman with War for two years. People sort of have compartmental memories.
I never saw 'Titanic' as a springboard for bigger films or bigger pay cheques. I knew it could have been that, but I knew it would have destroyed me.