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Les Pauls work out real well for me because I'll beat the hell out of them and they'll still work. The only trouble with them is finding good ones.
It's an awesome thing to be flung out onto the stage twice a weekend in front of 250 people, and you have to make it up as you go along.
If you want to write the next great novel, but you think, No, this won't work because no one will buy it or it won't be any good, then you talk yourself out of taking a risk.
And when things are not going well in Toronto, you're going to hear about it. And you're going to say things are not good at all, where it's really not that bad.
I think, ultimately, open always wins out. It wins out because you cannot lock data in; you can't lock people in. They will find a way out.
It would be fun to be a redhead... you can get away with being, like, really volatile and fire-y because you're like, 'I'm just a redhead; what can I say?'
There is no such thing as luck. It's a fancy name for being always at our duty, and so sure to be ready when good time comes.
I always say if you've seen good acting on television, those actors are really good. Because there's just not enough time. You don't have any preparation.
A good record is one where I can tap my toes. I always say let your feet do the thinking.
