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I mean, I love action films, you know, good action films.
I think if you're writing a play, it should be its own end game; you'll never get to do a good one unless you know it's not a blueprint for a film; you're not going to get the action right and the story right.
I think Michael Caine is a perfectly good actor but it's obvious he's not going to be in one of my films.
I do movies that I would like to go and see. I think that's a good barometer of how I choose films. I like going to these movies. Our job is to make sure the audience gets their $16 worth. That's my job.
I think a lot of good actors - for instance, Gary Sinise - have no training. His training was really entirely on his feet. I suppose you have to have an instinct for it.
I am pretty hard on myself. But I think that's how it has to be if you want to keep growing as an actor.
If I'd really known how hard I was going to have to work behind the scenes to have any kind of business, I think I would have stopped.
Having a good actor as co-star is always a pleasure, as it gives you space to perform. It's nice to work with nice actors.
If it's a good work of adaptation, the book should remain a book and the film should remain a film, and you should not necessarily read the book to see the film. If you do need that, then that means that it's a failure. That is what I think.