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Knowing that we are primates, I think, is a fascinating discovery, and a very interesting and rather cheering one.
I think what's fun about the Western genre is the character arcs are very strong and, arguably, more interesting and exciting than the action that is metaphorically representational of those arcs.
I think the darker aspect of my fiction-or anybody's fiction-is by its very nature somehow easier to talk about.
When they searched my car, they said that they found a gasoline canister and I think duct tape. Who wouldn't have a gasoline canister on them when driving 3,000 miles across country?
I think it's bad to talk about one's present work, for it spoils something at the root of the creative act. It discharges the tension.
The more shaded, flawed characters that are struggling, I think there's something very relatable about that.
I'm not going to let people get away with either a dishonest or inaccurate premise to what we're talking about because I think that does the viewer a disturbance.
For me, it's always just been about finding material that I think is creative and interesting and fun and something that can expand me and that I can hopefully do something with.
What I'm concerned about are two things. I think one that John Miller talked about, and that's the radicalization over the Internet that ISIS is very adept at doing. The other one is a foreign fighter threat.
