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In some of the greatest recordings ever made, the performance is a part of the recording. Dylan's 'Rainy Day Women No. 12 and 35' is all about the esthetic of that performance. You can hear the room.
I got me a hit record and I ain't never made a cent from it.
Especially with DVRs nowadays, people have their roster. More and more, it's not just, 'I'll watch what's on at 9 P.M.' They have their backlog of the shows they always watch, that they record every week, and it's a matter of, how do you get into that list?
I have no regrets. I wouldn't have lived my life the way I did if I was going to worry about what people were going to say.
All my vocals were recorded at home, which was great for me. You can actually have a studio in a computer program called ProTools. I did half the record with ProTools.
You can go into Mark Twain's material and prove anything you want. He was against war. He was for war. He was against rich people and he was for them. He was a kaleidoscope.
When I write, when I'm going hot, I don't want to write more than four hours in a row. After that, you're pushing it.
The select group of people who do make realistic cinema, who do make cinema perhaps a little more acceptable to the Western audience, is a very small percentage.
I usually don't write songs by people calling me and saying, 'Write a song about this.' Usually I'm just going with what I want to write, so you never know.
