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When you're doing a series, you're really in a zone. You're thinking about those characters and their situations in a free-floating way all the time. They live with you all the time. So it's just as natural as breathing to be having ideas and thinking about what they're thinking about.
I really don't spend time thinking about the past. I think about the future. I'm not stopping.
I do think that people will claim a certain fatigue about talking about race. But I think that even though they do, it's still necessary - completely necessary.
I like roles that bring the unexpected. Roles that may challenge the way people think about things and perceive things. And I like roles that reflect a reality.
I'll read a script maybe twice, but I'll think about the role more than I'll rehearse lines.
I think when you talk about competing against others, the problem is that you refer to something that's been done already and try to beat it.
Fundamentally, all writing is about the same thing; it's about dying, about the brief flicker of time we have here, and the frustration that it creates.
I think if someone is writing continuously for 10 years and has not changed their mind about something - there's something wrong with them. They're not really thinking.
I think Stieg Larsson was pretty brave. He wanted to bring up things that we don't like to talk about, or like to ignore.
