Aufregung / Fuss Begann / Began Darsteller / Actor Dumm / Foolish Geschlagen / Struck Herstellung / Making Klingen / Sound Mir / Me Perfekt / Perfectly Schwierigkeit / Difficulty Über / About Verschiebung / Shifting
This continuity of sound and form was something that I became really interested in from working with Ligeti. He was always going on about how form has to be continuous.
There's something deeply satisfying when it succeeds, but I'm not going to do another book just to put my name on something and make some money if it's not something I deeply care about.
It's not about how loud you turn the amp up. That's not what makes it sound big. What makes it sound big is fooling around with different delays and reverb settings.
I've been fortunate, but I'm also not very precious about making sure I'm the star of a film.
It is so much more difficult to live with one's body than with one's soul. One's body is so much more exacting: what it won't have it won't have, and nothing can make bitter into sweet.
We're all going about trying to make beauty in the world and trying to make order out of chaos. And that's what art is.
The thing with me, I can't talk about my work. I find it very difficult.
Just smiling at someone walking down the street can make the person's day. It's all about paying it forward.
Back in the day after I won my first pageant there was an agency that was getting me work on the side.
