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Actually, every time I am back in New York, I read for as many plays as I can.
Not everybody even gets to live with their own family because they have to go to L.A. or New York or wherever to work and find a job and leave their family back home. But every day, I get to work with my family - if I want to.
Every day is a different day in New York; there's always something new going on.
It's not every day people fly you to New York for auditions.
To be honest, it makes you a lot better coach when your boss is in the meeting room. You're a lot more driven every day.
Like every New Yorker, I have a love/hate relationship with the city. There are times it's overbearing, but when I'm away even for a little while, I can't wait to get home. I am a New Yorker.
Working on 'Lonely, I'm Not' - I love the material so much, and it's spring in New York, so I'm walking home whistling every day.
The highest compliment that you can pay me is to say that I work hard every day, that I never dog it.
You're put on this platform where you see beauty every day, and you kinda get numb to it. So then it's like, 'What else do you have? You really can't hold a conversation? Next'.