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Now, I know a lot of things in the big man's world are not what they seem: a lot of people are out for themselves, and you can't always trust what someone says.
Ask people to pitch in - hand them a spoon and ask them to stir. Doing things together, having everyone help, makes for a nicer party.
The state security bodies should not be seen as an institution that works against society and the state; one needs to understand what makes them work against their own people.
Yeah, because I think it's more important just to inspire people to wake up one day and pick up a book and start feeling it out for themselves.
I always thought Broadway's the goal, and then I moved out to L.A. with 'Wicked' and started doing guest-star spots and little recurring things, and I was like, 'Well, this is pretty great; I'm kind of digging this.'
I don't know if it's a male thing, but I've always been interested in how people respond to the stresses and dangers of war, how they react under fire.
I don't like to write rhetorically or get on a soapbox. I try to make the stuff multi-layered, so that it always has a life outside its social context. I don't believe that you can tell people anything; you can only draw them in.
Things pop out of people's mouths that you wouldn't expect them to say, so I've stopped trying to guess ahead of time who might be interesting to talk to.
Don't worry, don't worry. Look at the Astors and the Vanderbilts, all those big society people. They were the worst thieves - and now look at them. It's just a matter of time.
