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The Chinese government promised Hong Kong '50 years, and change.' And 50 years later, after 1997, will be 2046; I think, 'Well, that's a very interesting promise.' So I want to make a film about promise.
I think when you're looking for people to interview, you want to make it fair and honest. You're not just bringing people on so you can beat them up or, you know, make fools out of them or something.
I just want to keep writing characters who are interesting and complicated people and interesting roles for women, in TV or film or in theater. I think that's like my 'Blues Brothers' mission.
I want what's mine. I see other actors who are doing very interesting roles, and I just want to continue to do things that are interesting, and things that people will go see in theaters.
I think Canadians want to get a feel for the people who will serve them... and, for me, I think that Canadians will trust people who trust them.
I think it's more interesting to throw people into a story and let them catch up instead of explaining and feeling like you have to slow down for them. I think audiences, for the most part, they don't want to be ahead of you.
I think the people who would be the least interested in my work would be people who read lots of comic books.
I'm always interested in what you can do with technology that people haven't thought of doing yet. I think that's sort of a characteristic of the way I've worked ever since I started.
I think I'm always somehow interested in characters who want to make one perfect thing, to transcend humanness, even if only for a moment.