Besitzen / Own Charakter / Character Geplant / Planned Geschichte / Story Ihr / Her Jeden / Every Kommen Sie / Come Leben / Life Manchmal / Sometimes Nehmen / Take Seine / His Tor / Goal Wille / Will Zeichen / Characters
Every character I play has to be the hero of his own story, the way we're all heroes of our own lives.
Frank Marth also played many characters with us, and like George Petrie, he was worth his weight in gold.
I think I'm very strong at dialogue, I think I'm very strong in characterization. I think sometimes I use dialogue and character work to cover weaknesses in my plotting.
I'm a great planner, so before I ever write chapter 1, I work out what happens in every chapter and who the characters are. I usually spend a year on the outline.
Life has all sorts of hills and valleys, and sometimes you don't end up doing what you had your heart set out on, but sometimes that's even better!
I choose grey characters, as I enjoy playing a human character. I don't shy away from showing the shortcomings of my characters.
Hemingway was a prisoner of his style. No one can talk like the characters in Hemingway except the characters in Hemingway. His style in the wildest sense finally killed him.
Every song I put on a record could be a single and I just pack my bags for it... and the minute it takes off, I'm not gonna be home for a while.
I've read a lot of really great characters in some really crappy stories, where I said, like, 'Boy I could shine here, but the story sucks.' I don't want to be part of that.
