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Tom would bring in songs, Mike would engineer, and we recorded about 30 songs.
I'm a huge fan of Geffen records. Everything about them - their artists, their videos, their marketing.
No one worries about genre when they're dancing. They're not asking themselves, 'Is this song a dubstep song?'
I'm writing a record of comedy songs. I'm doing all these collaborations with artists. I bring them lyrics and they write the music to it.
All stories should have some honesty and truth in them, otherwise you're just playing about.
The fact that we write about it doesn't mean we play better than ordinary players at all.
I write plays about things that I can't resolve in my mind. I try to root things out.
It's not my style to be thinking about what a record is while I'm making it: I just write songs.
I had a ukulele when I was about seven. Then I started playing around with the mandolin and the banjo.
